CyberLink | Super Lovers | Télécharger / Regarder
For 820 reviews, this critic has graded:
  • 39% higher than the average critic
  • 3% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 7.7 points lower than other critics. (0-100 point scale)

Hank Stuever's Scores

Average review score: 60
Highest review score: 100 Frozen Planet: Season 1
Lowest review score: 0 Made in Jersey: Season 1
Score distribution:
820 tv reviews
    • 81 Metascore
    • 80 Hank Stuever
    For eight and even nine episodes, the series does everything right as both a compelling, fractured-family drama and a dive-under-the-couch-cushions creepshow. Anyone near my office likely heard a few screams (manly screams, mind you) as I obsessively binged my way through it. That 10th episode, however? The less said, the better.
    • 56 Metascore
    • 50 Hank Stuever
    At nearly 90 minutes apiece, episodes of The Romanoffs play together like a nice long weekend at an independent film festival in the mountains somewhere. Enjoy them with a glass of something dry and white, and don’t expect to be blown away by what you discover.
    • 58 Metascore
    • 40 Hank Stuever
    Last Man Standing remains hopelessly mediocre.
    • 53 Metascore
    • 70 Hank Stuever
    Murphy’s comeback is as reassuring and entertaining as it is timely.
    • 47 Metascore
    • 30 Hank Stuever
    It’s about a jerk doctor who is fixated on rebelling against bloated health-care bureaucracy. ... An attempt near the end of the premiere episode to privately humanize Goodwin comes too late; New Amsterdam suffers extreme organ failure, starting with an infection in its heart.
    • 55 Metascore
    • 30 Hank Stuever
    The premise is certainly alluring, which is why it’s so disheartening to discover Manifest’s lack of imagination or intuition for what it might feel like, in the show’s lead example, for an extended family to be suddenly reunited. ... A viewer who might have been interested in the human element is instead served a cold plate of mystery meat--not the new “Lost,” but a feeble throwback to forgettable failures such as “The Event.”
    • 48 Metascore
    • 10 Hank Stuever
    Despite the calibrated charm of your star, Jay Hernandez (who casually assumes Tom Selleck’s defining role, knowing full well that a hint of a stubbly goatee is no match for the ’stache), your pilot episode is an uninspired slop of cornball action and opening misfires.
    • tbd Metascore
    • 80 Hank Stuever
    Despite an especially daunting premise, this beautifully informative four-part documentary manages to get a handle on the vast, 15,000-year story of indigenous people who shaped North and South America.
    • 49 Metascore
    • 80 Hank Stuever
    Girls collaborators Lena Dunham and Jenni Konner have adapted the British version of this comedy into a wickedly funny, unnerving eight-episode.
    • 51 Metascore
    • 70 Hank Stuever
    If you believe in the treacle-down theory when it comes to NBC’s rip-roaring success with “This Is Us,” then you’re ready for ABC’s drama about the emotional entanglements of a group of four Boston men (Ron Livingston, Romany Malco, David Giuntoli and James Roday) feeling all the feels that bros can feel when their best bro jumps from his skyscraper office balcony in the middle of a workday, without leaving a note. A Million Little Things comes on a tad too strong in its setup.
    • 61 Metascore
    • 40 Hank Stuever
    Hulu’s slow-going and disappointingly dreary astronaut drama. ... Far too much narrative flourish. It’s easy to see what Willimon is going for--to give shape and heart to what is essentially a story of science and bureaucracy. It’s also easy to see the mistake in the formula: Empathy does not equal velocity.
    • 35 Metascore
    • 70 Hank Stuever
    With even bigger talk about finding the Holy Grail (the “pee tape” that so animates the president’s enemies), Arnold’s haphazard methods can come across as somewhat pathetic. But he more than makes up for it with a wild expression of patriotic determination.
    • 76 Metascore
    • 80 Hank Stuever
    There’s a fusion here between modern melancholia and those romps where potential lovers keep encountering one another in skips through time, which sounds tedious but works somewhat splendidly, once the series gets going. ... Hill and Stone are both terrifically capable at conveying the series’s many moods, while Theroux looks especially grateful to be hamming it up after so much deeply-furrowed frowning in “The Leftovers.”
    • 83 Metascore
    • 80 Hank Stuever
    It’s not a lighthearted binge, but Sorry for Your Loss works because it’s as interested in Leigh’s healing as it is in her suffering.
    • 77 Metascore
    • 100 Hank Stuever
    Exquisite. ... Not only is Forever one of the best shows of the year, I’d make it mandatory viewing for couples considering marriage.
    • 86 Metascore
    • 80 Hank Stuever
    Simply on the merits of its frank, thoughtful storytelling and acting, it’s a perfectly fine riff on the wages of sin back in the day.
    • 74 Metascore
    • 80 Hank Stuever
    An enjoyably unnerving 10-episode tale of meet-cute millennials. ... There’s truly nothing new to report here as far as premises go, but You unfolds with the sort of momentum, chemistry and solid structure that other new TV shows would do well to study.
    • 67 Metascore
    • 80 Hank Stuever
    Its empathy for its main character is no mere folly, and the performances--especially Carrey’s--subtly push the material toward an achingly valid exploration of the human side of hero-worship.
    • 66 Metascore
    • 50 Hank Stuever
    While it may not have been the creators’ intent, Tom Clancy’s Jack Ryan gets a whole lot better--and more modern, relevant and thoughtful--when Jack Ryan isn’t in it.
    • 25 Metascore
    • 0 Hank Stuever
    The show specializes in the easiest forms of scripted cruelty and snark. The fat-shaming, such that it even exists, is brief and nowhere nearly as harmful as the middling idiocy of the entire effort. That’s my review and also a scolding: If you’re watching this, you really need better things to do.
    • 69 Metascore
    • 80 Hank Stuever
    Where’s the hit man? The crime boss? The heist? That’s where most shows take their weirdness; we’ve been trained to expect a bigger hook. Lodge 49, on the other hand, remains utterly human in scope and ambition--funny and meandering.
    • 75 Metascore
    • 80 Hank Stuever
    The Sinner deserves more than a passing glance, if for no other reason than to admire its balance: The core mystery is complicated but not overly so; the ambiguities are presented in terms of human flaws rather than philosophy tracts; the gore is politely measured out in necessary doses; the twists are plausible enough to pass muster; and, above all else, The Sinner’s pace and writing lure you in and resist the urge to drift, promising a conclusive wrap-up.
    • 77 Metascore
    • 70 Hank Stuever
    Making It, a crafting competition show premiering Tuesday on NBC, is so genuinely good-hearted and adorably inventive that it’s darn near impossible to criticize. ... For all its mutual happiness, Making It could pay a little more attention to the actual work that goes into the crafting and the wide range of personal styles shown by the contestants.
    • 66 Metascore
    • 30 Hank Stuever
    If it’s meant to frighten, it’s not very good at that. If it’s meant to ruminate on the nature of evil, then that message never gets through. If it’s meant to creep you out, then it barely registers. ... The first three episodes, which premiere in one chunk Wednesday (a new episode will be released each week), spend too much time laying groundwork, meting out clues and references at such a sluggish pace that they’re not worth noting, unless the show considers its mission to act as a Stephen King book club.
    • 59 Metascore
    • 50 Hank Stuever
    To giggle at and delight in Cohen’s pranks is to believe that you can have it both ways: that you can be horrified at the collapse of truth and democracy, and then laugh at a guy who seeks to undermine whatever remains of trust. As watchably galling as Cohen’s techniques may be, America in 2018 doesn’t really seem like the right time or place for it.
    • 61 Metascore
    • 40 Hank Stuever
    A mostly uninspired new season.
    • 77 Metascore
    • 70 Hank Stuever
    Aside from some slightly hammy subplots and the predictable snack of a red herring or two, those are my criticisms. In the same breath, I can’t deny that I charged through seven hours of Sharp Objects with an obsessive appreciation for the overall effort, propelled mostly by Adams’s effectively morose and complicated portrayal of Camille.
    • 85 Metascore
    • 80 Hank Stuever
    It’s a show that works on a few different levels, but it’s never better than when it goes to giddy workout montages and thrilling ringside action.
    • 68 Metascore
    • 50 Hank Stuever
    For all its honesty, something feels slightly off throughout the film; as if we’re seeing only a fraction of the personal turmoil. Reynolds’s anguish is a bit polished and his answers are all easy.
    • 53 Metascore
    • 50 Hank Stuever
    Yellowstone’s weaknesses is its failure to teach viewers why (or why not) we should root for his independence; his Western entitlement alone won’t cut it, and the character Costner plays is unfortunately averse to explanatory monologues. ... Sheridan mostly resists the temptation to turn the series into a soap opera, relying on his knowledge of what today’s West actually looks and feels like, which gives the series its authentic air. The Montana and Utah locations help, too, supplying plenty of high-def beauty.

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