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Allison Keene

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For 323 reviews, this critic has graded:
  • 41% higher than the average critic
  • 7% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 4.2 points lower than other critics. (0-100 point scale)

Allison Keene's Scores

Average review score: 63
Highest review score: 100 Escape At Dannemora
Lowest review score: 10 Buckwild: Season 1
Score distribution:
  1. Negative: 22 out of 323
323 tv reviews
    • 78 Metascore
    • 100 Allison Keene
    Though there are moments throughout Dannemora where Stiller shows off his talent for creating thrilling, tense sequences regarding the machinations leading up to the escape, the series is perhaps even more dynamic in its quiet character moments. It’s an acting showcase for the leads.
    • tbd Metascore
    • 80 Allison Keene
    Ultimately, though the episodes are lengthy (each lasting at least a full hour), the pacing is taught; historically we may know the outcome, but there is enough charm and uncertainty to the way Narcos: Mexico crafts its story to keep things consistently interesting and compelling.
    • 82 Metascore
    • 100 Allison Keene
    Deutschland 86 is beautiful and brutal, humorous and provocative, satirical and sincere. It’s also unique and informative, but never feels like TV vegetables, as it chronicles the last days of communism (which will continue in the third series, Deutschland 89) with wit and heart. ... If you want some truly interesting, even challenging television that’s thrilling and never too dark, give this Peak TV gem a chance.
    • 79 Metascore
    • 80 Allison Keene
    There are several things that work really well in the series’ final episode, and could leave the door open for another season, and other revelations that feel like a bit of a letdown. But ultimately, Bodyguard is an exhilarating ride that truly showcases Madden as a major talent.
    • 83 Metascore
    • 40 Allison Keene
    Though the episodes only run a half-hour each, Homecoming moves at a glacial pace. It finds its groove about four episodes in, and then loses it again.
    • 71 Metascore
    • 60 Allison Keene
    Nothing feels quite right--the dialogue is stilted, the editing is distracting, and the amount of B-roll of bald eagles is overwhelming (it’s America, we get it). ... The season does get better as it progresses, as the show also starts pulling together threads from seasons past that make for satisfying and occasionally thrilling reveals.
    • 74 Metascore
    • 100 Allison Keene
    There are a lot of surprising things about Sabrina, the fall’s first truly binge-worthy new show. It’s a delight and an obsession, and the scariest thing about it is just how good it is.
    • 63 Metascore
    • 60 Allison Keene
    All American is not a revelation on the TV landscape, but maybe it’s a step forward in reviving a genre that could use some refreshing. The series isn’t yet as good or groundbreaking as some of its teen drama forebears, but it’s interesting and entertaining enough to deserve the chance to get there.
    • tbd Metascore
    • 80 Allison Keene
    Black Lightning is not without its own flaws, including occasionally disjointed or abrupt storytelling, but its clear desire to educate and inspire through compelling family drama continues to make it a show of consequence.
    • tbd Metascore
    • 60 Allison Keene
    It’s never silly, in other words, even though it can be exceptionally melodramatic.
    • 56 Metascore
    • 40 Allison Keene
    As great as these actors are, they can’t always save what are often thinly drawn characters, especially given their easily telegraphed motivations and schemes. Those waiting for twists won’t find them, which would be fine if that character drama landed.
    • 83 Metascore
    • 100 Allison Keene
    Sorry for You Loss plays out a lot like grief itself--it’s meandering, unexpected, complicated, dark, occasionally funny, and puts everything around it into sharp relief. It’s not what you would expect on Facebook, but it is definitely worth seeking out.
    • 76 Metascore
    • 60 Allison Keene
    When Maniac is good, it’s funny, affecting, and fascinating; when it’s not good, it’s like having a conversation with a student in a Psych 101 class who wants to tell you about a dream they had last night and what it might mean. It leaves the series as a rambling journey that some will find charming and others frustrating.
    • 69 Metascore
    • 60 Allison Keene
    There are a few really interesting storylines broached casually in the series that would have benefitted from more episodes.
    • 39 Metascore
    • 40 Allison Keene
    If you liked the first season of Iron Fist, Season 2 improves upon it. If you didn’t like it, well, there’s not much to recommend to you regarding a return. It’s a show that seems like it might be improved by not bingeing it, but it’s so sleepy that once you walk away from it you may forget to return.
    • 86 Metascore
    • 80 Allison Keene
    Even as it has softened visually just a little, (though it’s dialogue is a crackling as ever), the show has certainly not lost its edge.
    • 57 Metascore
    • 40 Allison Keene
    The long-awaited spinoff feels in many ways like the later seasons of Sons of Anarchy, where heavy plotting peppered with gruesome violence overtook the character connections that had made the story so strong to begin with.
    • 56 Metascore
    • 60 Allison Keene
    There are an array of interesting stories happening in Disenchantment, none of which the show gives quite enough time to.
    • 71 Metascore
    • 60 Allison Keene
    Occasionally it’s a little too jumpy, but Ordeal by Innocence is saved, again, by gorgeous costuming and set design, with the colors coordinated in ways that make every frame an artistic expression.
    • 69 Metascore
    • 60 Allison Keene
    Lodge 49 is funny, occasionally dark, and very unique, but beyond that, it’s hard to define. Whatever it is, it’s certainly different. And worth the journey.
    • 87 Metascore
    • 80 Allison Keene
    The new season of Better Call Saul starts off slowly and somberly (as of its first three episode available for review), full of silence and tension. Jimmy, Mike, and Nacho are all dealing with the fallout from decisions they’ve made to do what they thought was right--even if what they did to get there is more morally muddled.
    • 75 Metascore
    • 80 Allison Keene
    It may not be reinventing the wheel here, but it doesn’t need to. It’s a simple structure with a twisted story, and it’s good.
    • 77 Metascore
    • 80 Allison Keene
    For viewers--especially those who know what it feels like to have a complicated relationship with your hometown--it’s an acutely intense experience.
    • 84 Metascore
    • 80 Allison Keene
    Davies’ script is light and witty, and Frears doubles down on jokes by often both showing and telling, to fantastic effect. ... Thorpe is thoughtful and careful, with Hugh Grant as inscrutably charming as ever.
    • 85 Metascore
    • 100 Allison Keene
    GLOW is joyous, delightful, smart and funny television that showcases the complicated dance of strength and vulnerability in women, from Junkchains and She Wolves to Vikings and Liberty Belles.
    • tbd Metascore
    • 100 Allison Keene
    Even for casual viewers, the episodic jokes and the sheer earnestness that radiates from Sam and Tim should be enough of a hook. In a sea of dark TV, Detroiters is the light-hearted, smart comedy with a wonderfully sincere core that we need.
    • 53 Metascore
    • 40 Allison Keene
    For every horse galloping across the plains, there’s a rattlesnake attack, or for each successfully delivered calf there’s a tractor accident. The balance that Sheridan finds here can be a good thing, but it can also be emotionally exhausting. There’s no clear direction, or much hope for how things might turn out for our key players.
    • 64 Metascore
    • 60 Allison Keene
    There are plenty of things this season does well, really well, but there is so much filler and narrative dragging of feet in between that it’s hard to recommend it outright.
    • 68 Metascore
    • 40 Allison Keene
    The series never feels fully comfortable being either teen-oriented or more adult. It never really seems comfortable anywhere, really, as it skims through its scenes without investigating its surroundings, including the feelings or motivations of its characters.
    • 66 Metascore
    • 40 Allison Keene
    Dietland’s scattershot approach to plotting and its desire to be a quirky, dark comedy rather than lean in to its more sincere moments (and the treasure that it have in Nash) leave it as a missed opportunity.

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